If you are a cultural manager, PR manager, cultural producer, artist, cultural journalist or art critic with minimum 2 years of experience in the performing arts sector, from or living in Romania and the Republic of Moldova, and want to find like-minded people and develop new ideas and solutions together, then you are in the right place.This year\u2019s edition of the Cultural Management <\/p>\n\n\n\n
Academy ?????????? ?? ??? ?????? ???? | ????? ????????? ??? ?????????? ????, curated by the cultural manager Miki Brani\u0219te, is dedicated to the performing arts sector. It explores scenarios that may revive the meaning of performing arts and anticipates the need to reshape and rethink our way of existing and the relation to our audiences.<\/p>\n\n\n\n
???? ???? ??????????? ????? ??? ???, ??? ???????? ?????, ?????? & ??????, ??? ???????????? ??? (??\u2019? ????!), ??? ?? ????? & ????? ???????? ??????? ????: bit.ly\/CulturalManagementAcademy2020<\/a>. Application deadline: July 5th 2020. The maximum number of participants is 15. The selection of the CMA participants will be made by a jury formed by the CMA team along with the project\u2019s partners, and the winners will be announced on July 9th. If you have any questions, our colleague Tamina Bojoanca is happy to help: tamina.bojoanca@goethe.deCMA 2020 <\/p>\n\n\n\n Features: ??? ????? ??????? ?????????? | ???? ???? – ??? ?????? ?????? ?????? ????? | ????, ???? ??? ???? ???? ?????-????????? ??? ???? ?????????! | ??? ??????
Participate in an intensive one-week digital seminar, including lectures, workshops, interactive exercises, collective and individual sessions, and other capacity building formats dealing with the topic of the CMA 2020. Trainers in the seminars will be local and international professionals from the field of performing arts.<\/p>\n\n\n\n
Apart from the week-long digital laboratory dedicated exclusively to the participants selected after the open call the CMA will also host three online public talks. International and national renowned cultural managers will engage in a dialogue about the new challenges currently faced by the performing arts sector. Open to the general public.<\/p>\n\n\n\n
In 2020, the CMA is providing its participants with the opportunity to win micro-subsidies for new solutions that aim to adapt the sector.??????????
Networking is a fundamental element of the CMA. Participation in the CMA offers participants the chance to develop their professional international network and connections with the cultural institutes in the EUNIC cluster.
The event is organised by\u00a0Colectiv A Cluj<\/a>, in partnership with\u00a0Goethe-Institut Bucuresti<\/a> with the strong support of the\u00a0EUNIC Romania<\/a>\u00a0cluster:\u00a0Institutul Polonez \/ Instytut Polski w Bukareszcie<\/a>,\u00a0British Council Romania<\/a>,\u00a0Institutul Cultural Rom\u00e2n \/ Romanian Cultural Institute<\/a>,\u00a0Institutul Cam\u00f5es Bucure\u0219ti – Instituto Cam\u00f5es Bucareste<\/a>,\u00a0forumul cultural austriac<\/a>,\u00a0Institutul Francez<\/a>,\u00a0Embassy of the Netherlands in Romania<\/a> and in collaboration with\u00a0Facultatea de Stiinte Politice a Universitatii din Bucuresti (FSPUB)<\/a>,\u00a0IDC – Centre for International Cooperation and Development Studies<\/a>,\u00a0Centrul Na\u0163ional al Dansului Bucure\u015fti<\/a> and\u00a0Heritage Contact Zone – HCZ<\/a>, Co-funded by the Creative Europe Programme of the European Union.CMA is a cultural project co-financed by\u00a0AFCN<\/a>\u00a0– The Administration of the National Cultural Fund. The project does not necessarily represent the position of the Administration of the National Cultural Fund. The Administration of the National Cultural Fund is not responsible for the content of the project or the manner in which the results of the project may be used. These are entirely the responsibility of the funding recipient.<\/p>\n\n\n\n
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